More from Hilton Dresden
‘Nosferatu’ DP Jarin Blaschke Dissects Film’s Striking Opening Sequence
In the scene, Lily-Rose Depp’s Ellen is visited by a shadow in the night.
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‘Sing Sing’ Screenwriters on How to Write a Movie About Prison
Greg Kwedar and Clint Bentley dissect the scene in which Colman Domingo’s character Divine G reacts strongly to a parole board’s decision.
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How a Teen-Girl Supreme Court Tackled the Timeliness of Reproductive Rights in ‘Girls State’
The Emmy-nominated documentary is a followup to 2020’s Emmy-winning ‘Boys State.’
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‘Mr. and Mrs. Smith’ Co-creator Francesca Sloane Breaks Down the Emmy-Nominated Drama’s ‘Couples Therapy’ Episode
Donald Glover and Maya Erskine’s characters attempt to strike a balance between being married and “fantastic spies” during the standout episode in which Sarah Paulson plays their therapist.
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Sex, Drugs and Party Shootouts: Behind Sofia Vergara’s Drug Lord Breakdown
‘Griselda’ writer Doug Miro dissects the fifth episode of the Netflix limited series in which a deranged Griselda Blanco pulls a gun on her estranged husband.
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‘We’re Here’ Drag Queens on Educating Viewers: “We Are Natural, We Are Normal”
Priyanka, Jaida Essence Hall, Sasha Velour and Latrice Royale catch up with THR about their collective mission in helping queer and trans communities with the Max show.
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How to Create a Show About a Grieving Black Female P.I. “Without Apologizing for Being Bold”
The star and originator of the BET+ series 'Diarra From Detroit' has been creating since she was 5, with a stint performing at a youth jail and starring in 'Perry Mason' along the way.
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Behind the First Significant Death in ‘Feud: Capote vs. The Swans’
Director Jennifer Lynch recalls how the crew captured the “stillness” of socialite Babe Paley’s deathbed scene as played by Naomi Watts.
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‘Palm Royale’ Director on “Iconic Moment” Laura Dern Shared the Screen With Father Bruce Dern for the First Time Ever
“[We] just let these legends do their thing,” says Stephanie Laing of uniting the pair onscreen.
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In ‘The Gilded Age,’ Socialites Waged War Using Opera Houses
Cinematographer Manuel Billeter talks re-creating the opening of the Met in New York City as part of Carrie Coon’s character’s victory in season two of the period drama.
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‘Shogun’ Cinematographer on the Special Effects That Brought Its Season Opening Sea Disaster to Life
“That’s the sort of filmmaking, when you’re 11 years old and you dream of working in cinema, that you fantasize about doing,” says Christopher Ross of the scene.
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‘The Sympathizer’ DP on His Favorite Shot From the War Drama: “It’s Not a Simple, Static Shot”
Kim Ji-yong chose a shot from episode one, in which The Captain crosses out names on The General’s getaway plane list, leaving them behind.
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